Though quilling has been around for many years, I had never heard of it until I met Anna Federline through a friend and started following her Instagram account. Under the moniker Charm City Quills, Anna uses tiny strips of paper to create intricate and beautiful designs. I was immediately struck by the uniqueness of each piece she crafted, as well as the attention to detail such a project must require. Since I’m always interested in learning more about artists and their respective creative processes, talking to her more has been on my radar for some time now and we finally made it happen.
Read on for more!
Tell me about how you started quilling. What artwork are you now producing/offering?
I’ve always been interested in art; from a young age, I was playing around with oil paints, costuming, and DIY projects. I started quilling a little over 6 years ago. I was horribly sick with Lyme Disease throughout my early 20s and was spending a lot of time stuck at home. I think at that point, I was in desperate need of something to feel excited and inspired about. One day, I was browsing art/design websites and I came across a photo of this paper hand that was filled with flowers and spirals and colors. It was so beautiful. I loved it, and I knew immediately I wanted to learn how to do it myself. I think I actually started slicing my own paper and randomly gluing it right then and there. Charm City Quills came about soon after that.
Most of what I make is commissioned custom artwork, but every now and then I’ll make new pairs of paper earrings.
Walk me through your creative process.
I start with an image, whether that’s something conveyed to me by an interested buyer or something I’m thinking about on my own. I’ll gather supplies if I need to. I spend an inordinate amount of time just staring at the paper colors I have on hand – getting started requires a lot of concentration and motivation. I don’t like to sketch anything out beforehand, so I’m just diving right in to something I know is going to consume at least the next several hours of my life.
It’s sort of like meditation, really. I like to pick out an album I haven’t listened to in a while, or even something new. I tell myself, “I’m going to work until I’ve listened to the whole thing.” Then I’ll take a little break and start up again.
Of course, wine helps too.
What is your favorite project you’ve worked on so far?
I made a piece for a friend of mine back in Baltimore we called “Chimps at Sunset.” While I was working on it, it was just this messy mash-up but by the time I finished, I was really happy with how it came out – detailed and expressive.
I also made a portrait of my friend’s dog called “Trigger Man” – that will always be a favorite of mine, too. My friend is so loud and colorful and full of energy, and her dog is like this adorable, lazy oaf. His portrait is surrounded by rainbows and glitter and he’s just there in the middle, completely unfazed. It makes me smile.
How do you find time to pursue your projects even though you work full-time?
I’m a sleepy blend of a 9 to 5-er and a night owl, so I don’t really feel too strapped for time when I’m off. Let me have a power nap and I’m good to go.
How do you see your business growing in the future?
It’s always nice to have people know and love your work, and I’m always open to having more people reach out about custom pieces. My goal has never really been to make quilling my full time career, but I’d love to hang some things around town and build an inventory of original work. There is also a traveling pop-up shop on the horizon in 2018!
“Chimps at Sunset”
What inspires you the most?
It sounds cliche, but my relationships are my biggest inspiration. When you’re filled with so much gratitude for the people around you and you have a really great emotional support system, it’s hard to turn down that glow. Happiness is a powerful motivator.
What are your favorite blogs, websites, or Instagram accounts?
Yulia Brodskaya on Instagram. She is a master quiller and all-around paper genius. Seriously, look her up – she’s insanely talented. She simultaneously inspires me and makes me want to totally give up. I love/hate her!
How long have you lived in New Orleans and what’s your favorite thing about it?
I’m originally from right outside of Baltimore, and I’ve been in New Orleans for a little over 4 years now. I love that there is total freedom to be exactly who are are. We’re all a bunch of weirdos constantly covered in glitter – and that’s totally okay! New Orleans has this special way of giving off a totally relaxed energy even when 10,000 different things are happening – I love that, too.
Dream travel destinations?
Ireland with my siblings. Zanzibar. The Maldives.
What’s the biggest lesson you’ve learned in 2017?
That it’s okay to be selfish and put yourself first for awhile. To paraphrase another saying, “Be kind to you, and the rest will follow.”
2017 has been good to me!
To keep up with Charm City Quills, check out the Etsy shop and follow Anna on FB and Instagram.
All photos courtesy of the artist.
[wearing: Madewell x Biltmore hat, Line + Dot dress, Chan Luu necklace, Madewell lace-up sandals and transport tote]
This past April, I tried Rent the Runway’s Unlimited Subscription feature. I had never used Rent the Runway at all, but I read a Marie Claire article about this service and was intrigued. For a flat fee of $139 each month, you can rent up to 3 items at a time. The available inventory includes dresses, tops, skirts, purses, hats, jewelry, sunglasses – basically everything except shoes. It’s the exact model that Netflix originally used – you send back 1, 2, or 3 things at a time using the pre-paid UPS envelope and then you receive your next queue items to replace what you’ve returned.
This appealed to me for a number of reasons:
- Dry cleaning my nicer clothes is costly – there’s something appealing about the ease of being able to wear something and just send it back.
- I get tired of my clothes after a certain number of wears and I’m constantly selling things on eBay I no longer want.
- I don’t like to spend a lot of money on trendier pieces, so this would give me the option to try different things without committing or let me rent a fancy dress for a special occasion without having to really splurge.
- I just flat out could never afford some of the designers they have on the site, so I thought it would be cool to try them out.
Over the course of the month, I rented a total of 11 things: 1 romper, 1 pair of sunglasses, 4 dresses, 3 skirts, and 2 tops. Of that, I really only liked 3 things – the others either didn’t fit me well or were just underwhelming in person.
- Rent the Runway customer service is really helpful and responsive.
- The 3 items that I did like – the dress I’m wearing above, this crop top which I loved, and this dress – were awesome. If I knew more about what size I am in different brands, I’m sure I could’ve done a better job knowing what to order.
- For the average price point of the items they offer, I think $139/month is pretty reasonable – although I realize that’s not cheap by any means. It’s also cheaper than renting out just 1-2 items from the site (for example, one of the dresses I got was $70 to rent for just a few days, but I could keep it as long as I wanted with the Unlimited membership.)
- It takes 2 business days to return an order and 2 business days for you to receive your next order, so timing can be tricky.
- As I said above, many items didn’t fit me because I wasn’t sure about brand sizing or they just didn’t look that great in person.
- Items in your queue may be rented to other people, so you can’t always tell what’s going to be available when it’s time to pick your next shipment. This can be frustrating if you really wanted a certain item on a particular date.
Overall, I think this service could be useful, especially in a month when you have a lot of events to go to and want to freshen up your wardrobe without buying a bunch of new outfits. I would like to see them offer a wider selection of casual pieces and brands like For Love and Lemons and Mink Pink. They’ve got a lot of more upscale, dressy options and my lifestyle doesn’t usually call for that.
The verdict: I decided not to continue with it for a number of reasons; overall, it just didn’t work that well with my lifestyle. I’ve also realized there’s something cool about the experience of actually owning an item of clothing and being able to experiment with it and wear it in different ways over time.
Do you want to try this subscription or the standard rental service? You can use this link to save $30 on your first month or order: http://refer.renttherunway.com/x/0yy80N
All photos by Trevor Mark.
I officially met Scott Simon a year or two ago when he interviewed me for his site, iHeartnola (IHN). He liked a piece I wrote about tattoo artists and when he reached out to me, I was excited to meet him since I’d been following IHN for quite some time. Started in 2009 and run completely by Scott, IHN covers local fashion, art, culture, entertainment, shops, food, and more. You can also find his photography book, NOLA / FADE, and prints at the IHN gift shop online.
Scott is a freelance photographer, in addition to working a full-time job in the tech sector and running IHN. I thought it would be interesting to meet up with him and pick his brain about staying inspired, since his Instagram feed is consistently full of fresh content and he keeps his site updated weekly as well. Here’s what we talked about: from transplants, to crime, to frustrations with freelancing.
Okay, so you work a full-time job with benefits, in addition to all of these other creative endeavors. I’m curious about that because about a year or so ago, I decided I was going to try to grow my freelance business into a full-time gig for myself. It hasn’t really panned out that way and I’ve realized that I do like the security and stability of a full-time job.
I’m definitely comfortable in my position at my full-time job and I don’t see a future that doesn’t include that.
I’ve heard people kind of express this sentiment that working a traditional job with benefits and not finding work in your creative wheelhouse, or maybe not struggling, is a form of selling out or giving in. Did you ever struggle with any thoughts of whether this was true?
No! Doing what we’re doing is just smart.
I’ve come to believe that’s actually very true. Okay, so you’re from New Orleans, lived here your whole life.
Yep. I grew up in Old Metairie, went to Catholic school, graduated from UNO. Moved to Hot Springs, AR very briefly after Katrina but came back after and started IHN.
Can we just talk about transplants for a second? I moved here in 2009 and I was talking to my partner about this the other day, because he’s born and raised here, from Algiers. He doesn’t really see it but I definitely sense more and more of a resistance to people who are moving here and a wariness about them displacing locals and disrupting communities. I definitely see that this is an issue; I also think I’m pretty sensitive to this in general since I grew up as an Army kid, always moving around. I always feel sort of emotionally displaced and not sure where my home is. How do you feel about all of this?
Well, I embrace people moving here, but it can definitely be frustrating. I’m dumbfounded at people who just look at a map of New Orleans online, point to a historic neighborhood like Treme, and place themselves right in the middle of it. There’s a wide range of people who come to this city and many people just take advantage of it.
I don’t necessarily think people are carpetbaggers, but I think they sometimes come to appreciate a place where they can feel free and live the life they’ve always wanted to, or sow their wild oats – without investing back into the community.
I also wish people would talk about how life really is here – that it’s not all secondlines and Mardi Gras beads. It can be so frustrating when people aren’t interested in anything below the surface.
Actually, as you know, that’s why I left my writing gig at GoNOLA, because I felt like I was really sugar coating and sort of glamorizing life in New Orleans. What I was writing didn’t feel genuine to me anymore.
The tough part of all of it is that I want to believe people are coming here to make a difference – to bring new services, new ideas – and not just come to this cool place where they can do drugs, smoke weed, live this cheap, non-committal life. Basically: people should have a reason to come here. Contribute. A lot of what I’m seeing, especially with the tech sector and movie and film industries, is that they really just come down here, see what we have to offer, how much money they can get, whatever they can pull from the city – and then move along.
Sometimes it’s like everyone loves New Orleans, but only on the surface.
Yeah. You’re right.
*sarcastically* Yeah, you right!
That’s so depressing.
I can’t tell you how many times I’ve been walking with a purpose somewhere and people are just hanging around looking at their phones, completely oblivious to any security issues that are looming in every possible way. And to be honest – that’s another frustration, right? Let’s just come down and embed yourselves in a neighborhood that people maybe don’t want you in.
Yeah. I don’t know the solution.
I hear people complain about their favorite brunch spots being overtaken by transplants and tourists, but to be fair, that does happen in every major city.
I guess the overarching idea you can take from me here is that I want everyone to come and appreciate the city – the landscape, the places that I love – but respect it. I started IHN because I spent so much time as an adult living the same limited life and when I was displaced after Katrina, I was overrun with emotions. I sat there drinking sweet tea and eating puffy Cheetos for a month straight, and I realized I’d never even done a lot of the things that were taken by the storm –I’d never gone to places that were now lost, places that were never going to come back. Pre-Katrina, my range of experiences was very narrow. I started the site as a way for myself to experience the city more fully – not only to try new outposts but really, just to learn what the city was really like.
Why do you think you didn’t venture out before?
It could’ve been fear. Maybe lack of experience. Maybe too much alcohol. I mean, I was in the service industry life for a long time, just living that life where everyone goes out together after a shift – you go to a dive bar, everything’s just a blur.
Were you scared when you first started the site? I was nervous when I started mine because it was just me, putting myself out there.
The site was pretty anonymous, and still kind of is. I’ve always lived in a pretty gray area. For a long time, the tone of the site and social media was considered pretty feminine. A lot of times, people would meet me and say, “Oh wow, you’re a dude!” which maybe is a testament to my desire to remain fairly anonymous – which is harder now.
You recently turned 40. Happy birthday! Any major moments of clarity that came from this birthday? You know, when I turned 30, people kept saying it was going to be the best thing ever, and they were pretty right. Does it just keep getting better and better?
To be honest with you – actually I don’t know why I keep saying that, because I am being honest with you!
So, Katrina happened when I turned 30. In these last 10 years since then, I’ve gained something – whether it’s a true affinity for the city, a true style I’ve developed along the way, confidence – whatever you want to say about it, those 10 years could be considered either lost or gained. Some days I feel like I’ve lost, but mostly I feel like I’ve benefited.
Certainly the most important thing is my ability to feel confidence in and do whatever I want and not be concerned about that. There’s been very few times when I’ve been dumb and posted something political or put my foot in my mouth under IHN. Another good thing is that my reliance on other people has waned. In life, I just want to do what I want, feature what I want, feel comfortable with who I am and what I want to do. I’m only interested in genuine and authentic people and experiences.
Do you think all of that is just a natural byproduct of aging or brought on by your work with the site? I guess there’s no way to tell, really.
I would say it’s a natural progression. I’ve finally gotten to a point where I’m being true to myself and not concerning myself with what other people think.
That’s really nice because I struggle with that, even though I actively work on it. I have literally found myself Googling how to deal with people not liking me! It’s crazy to let yourself be controlled by that.
I’m accepting a lot of things with this recent birthday – that I have gray in my beard, that I’ll always have to shave my head, that I’m not going to wake up tomorrow and have a full head of hair like George Costanza. And circling back to us talking about full-time work and freelancing – I’ve realized it makes no sense to try to leave my job at this point in my life. Why should I stress myself out and have to sell myself to the highest bidder?
My plan this year is to do more freelance projects and apply my style to other brands. So far I’ve done a little bit of that and I’m starting to branch out to work with fashion bloggers and music artists. That in itself could be lucrative perhaps, but my schedule is also limited by my other job. In the end, the reason why I haven’t gone out fully on my own is that I’m way too old and wise for that now.
I’ve seen all these articles recently about types of introversion. For example, you can be an introvert but still be social. Do you think you’re introverted or extroverted?
I’m actually categorized as an introvert because I like to be quiet, have my own space, and unwind. It’s ironic because I’m very gregarious and aware of who’s around me. My needing time to myself is a result of the time that I spend with other people and talking to them.
That’s how I am too. Where do you get most of your work done?
I have a home office. I’m a night owl, so that’s usually the best time for me. I try to stick to a routine for the most part. I generate most of my ideas in public, though – coffee shops, restaurants, where I’m most at ease with the noise.
Do you travel a lot?
Here and there, I do. I’m going to do a lot more traveling in the coming years. The ultimate goal is for me to take the experiences I have with IHN and wrap them into something less location-specific. I want to focus on the things I’m really good at, like street style and street photography. STREET / FADE is the new project I’m working on.
I also want to touch on something else. There are times when I question my decision to live here. When Will Smith was shot, I was really rattled, as I’d been out that same night and not far away. I wondered why I’m here, what am I doing? Why should I be acting as a source of inspiration for people to come to this city? Am I painting a picture that’s not totally true?
This is probably the most unsafe I’ve felt in a long time, and I’ve heard friends express similar feelings. I’ve been walking around and had people ride up and size me up – things I never used to worry about.
I think that’s very real, and it’s something I think about all the time. I have a moment maybe once or twice a year where I question if we should move, but I always feel so pulled to stay here, to believe in this place.
I’m going to stay, but like I said, I’ll be doing more traveling.
I just thought of this: I love vintage cars. I love muscle cars – I used to restore them, actually. They’re beautiful, original, authentic, and they can reflect a person’s personality. However, they can be very cantankerous. It’s kind of a good analogy for this city.
Like we love something that’s maybe not that practical from the outside looking in?
All photos courtesy of Scott Simon.